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Monitoring Colour and Fading:Fluorescent Pigments in Works of Art

机译:监视颜色和褪色:艺术品中的荧光颜料

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摘要

Fluorescent pigments were first produced on a commercial scale in the mid 1940s,and are now used in a variety of applications.Almost all fluorescent colours available are highly conjugated and unsaturated organic dyes dispersed in organic thermoplastic or thermosetting resins.Their bright appearance is caused by their ability to convert incident light into light of similar wavelength to the reflected light,resulting in an apparent reflectance greater than 100%.Modern artists like Howard Arkley(1951-1999)have used fluorescent paints(Fig.1)in order to produce optically vivid paintings.Problems with conventional colour measurement and identification using methods such as Raman or UV-VIS spectroscopy were encountered:The use of three-dimensional fluorescence spectroscopy(3DF)is currently being examined as an alternative technique.
机译:荧光颜料最早于1940年代中期以商业规模生产,如今已用于多种应用。几乎所有可用的荧光色都是分散在有机热塑性或热固性树脂中的高度共轭和不饱和有机染料。它们的明亮外观是由他们将入射光转换为与反射光波长相似的光的能力,从而导致表观反射率大于100%。霍华德·阿克利(Howard Arkley,1951-1999年)等现代艺术家使用了荧光涂料(图1)以产生光学效果。遇到了使用拉曼或UV-VIS光谱等方法进行常规色彩测量和识别的问题:目前正在研究使用三维荧光光谱(3DF)作为替代技术。

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