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Ville et création artistique. Pour une autre approche de la géographue culturelle

机译:城市与艺术创作。对于文化地理学的另一种方法

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In cultural geography, artistic creation and places of cultural expressions have not been of much interest by (French) geographers. This can be explained by the broad definition the French school of geography attributes to the term “Culture”. However, artists can be regarded as true actors of the urban space, and more, their conception of the City can enlighten the geographer’s. Moreover, the recent hatching of “new art territories” in some unexpected places — brown fields, abandoned sheds, derelict military areas, etc. — located mostly on the margins of cities, incites to consider these “UCO” (“Unidentified Cultural Objects”), that are local development catalysts, urban renewal paths. As such, they maintain an ambiguous relationship with their districts and catch the attention of the local authorities. This paper’s objective is not only to rehabilitate the place of culture in the field of geography; it has the ambition of proposing another approach to the so-called cultural geography at a time it is been questioned on it’s very purpose and future.
机译:在文化地理学中,(法国)地理学家对艺术创作和文化表达方式的关注度不高。法国地理学的广义定义可以解释为“文化”一词。但是,艺术家可以被视为城市空间的真正参与者,而且,他们对城市的构想可以启发地理学家的思想。此外,最近在一些意想不到的地方(棕色地带,废弃的棚子,废弃的军事区等)孵化的“新艺术领地”,大多位于城市的边缘,因此鼓励考虑将这些“ UCO”(“不明文物” ),这是地方发展的催化剂,是城市更新的道路。因此,他们与所在地区保持着模棱两可的关系,并引起了地方当局的注意。本文的目的不仅在于恢复文化在地理领域中的地位;它的雄心是在人们对其目的和未来提出质疑时提出另一种方法来解决所谓的文化地理问题。

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