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首页> 外文期刊>Attention, perception & psychophysics >As bitter as a trombone: Synesthetic correspondences in nonsynesthetes between tastes/flavors and musical notes
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As bitter as a trombone: Synesthetic correspondences in nonsynesthetes between tastes/flavors and musical notes

机译:像长号一样苦:味觉/风味和音符在非合音器中的合音对应

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摘要

In parallel to studies of various cases of synesthesia, many cross-modal correspondences have also been documented in nonsynesthetes. Among these correspondences, implicit associations between taste and pitch have been reported recently (Crisinel & Spence, 2009, 2010). Here, we replicate and extend these findings through explicit matching of sounds of varying pitch to a range of tastes/flavors. In addition, participants in the experiment reported here also chose the type of musical instrument most appropriate for each taste/flavor. The association of sweet and sour tastes to high-pitched notes was confirmed. By contrast, umami and bitter tastes were preferentially matched to low-pitched notes. Flavors did not display such strong pitch associations. The choice of musical instrument seems to have been driven primarily by a matching of the hedonic value and familiarity of the two types of stimuli. Our results raise important questions about our representation of tastes and flavors and could also lead to applications in the marketing of food products.
机译:在研究各种联觉情况的同时,非交感神经中也记录了许多跨模态对应。在这些对应关系中,最近已经报道了味觉与音调之间的隐式关联(Crisinel&Spence,2009,2010)。在这里,我们通过将不同音高的声音明确匹配到各种口味/风味来复制和扩展这些发现。此外,此处报告的实验参与者还选择了最适合每种口味/口味的乐器类型。糖醋味与高音调的关联得到了证实。相比之下,鲜味和苦味则优先与低音调相配。风味没有显示出如此强的音调关联。乐器的选择似乎主要是由于享乐价值的匹配和对两种刺激的熟悉程度所致。我们的结果对我们对口味和风味的表示提出了重要的问题,也可能导致在食品营销中的应用。

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