Lawson Oyekan is in a generous, expansive mood. He tells me he has recently shown work at the Thomas Dane gallery in Naples, the latest of myriad exhibitions he has taken part in since he began making ceramic sculptures some 40 years ago. His zeal for clay is unmistakeable - he speaks of it as 'a calling' - as is his capacity to assess his career, which has seen success and struggle in equal measure.
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