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TWO ADELAIDE VILLAS

机译:两座阿德莱德别墅

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Third nature: "those human interventions that go beyond what is required by the necessities or practice of agriculture or urban settlement... some conjunction of metaphysical experience with physicalforms, specifically some aesthetic endeavour - the wish or need to make a site beautiful." When reflecting on Taylor Cullity Lethlean's (TCL) Adelaide and North Adelaide villa gardens in the context of "third nature," it seems fitting that when Jacopo Bonfadio and Bartolomeo Taegio first coined the concept in the sixteenth century (seemingly at a similar time but independently of each other), they were referring to villa gardens. Though the Renaissance villas of Bonfadio and Taegio may seem an unlikely connection with two twenty-first-century urban Australian gardens, it is the contemporary play on Renaissance and other historic garden styles that defines each of these modern landscapes, creating a depth and playfulness rarely seen in Australian domestic settings.
机译:第三天性:“那些超出了农业或城市定居的必要性或实践所要求的人类干预措施……与物理形式的形而上学经验的某些结合,特别是一些美学的努力 - 愿望或需要使网站变得美丽。” 当反思泰勒·卡利蒂·莱斯利(TAYLOR CULLITY LETHLEAN'S(TCL)阿德莱德)和北阿德莱德别墅花园(North Adelaide Villa Gardens)的背景下,当Jacopo Bonfadio和Bartolomeo Taegio首次在16世纪首次创造了这个概念时,似乎很合适(似乎是一个相似的时间,但独立地是独立的,但独立于独立时间 他们彼此指的是别墅花园。 尽管Bonfadio和Taegio的文艺复兴时期的别墅似乎与两个二十一世纪澳大利亚城市花园似乎不太可能有联系,但它是当代的文艺复兴时期和其他历史悠久的花园风格的现代性,可以定义这些现代景观,从而创造了一个深度和娱乐性,并且很少 在澳大利亚的家庭环境中看到。

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