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Imaging and spectroscopic data combined to disclose the painting techniques and materials in the fifteenth century Leonardo atelier in Milan

机译:成像和光谱数据相结合,揭示了米兰十五世纪莱昂纳多·阿里莱尔的绘画技术和材料

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摘要

The project "Leonardesque Artists beyond the Visible" was planned on the 500th anniversary of the death of Leonardo da Vinci, with the occasion of an exhibition held in Milan in 2019, where more than twenty works made by Leonardesque masters have been put on display. Among them, five representative paintings made by his closest pupils were selected for a comprehensive and multidisciplinary project. Portable non-invasive imaging and spectroscopy techniques were applied to supply useful information to scholars but also to the wider public: description of the material composition of the pigments, of the preparation and of the binders, existence or absence of underdrawing, and identification of the painters' technique and style. Particular attention was paid also to the image processing techniques, mostly for hyperspectral and radiographic data, to get the most from both innovative and traditional techniques.
机译:“视觉之外的列奥纳多艺术家”项目计划在达芬奇逝世500周年之际举办,2019年在米兰举办了一场展览,展出了20多位列奥纳多大师的作品。其中,他最亲近的学生创作的五幅代表性绘画被选为一个综合性多学科项目。便携式无创成像和光谱技术被应用于向学者和广大公众提供有用的信息:颜料的材料组成、粘合剂的制备和使用、是否存在底图,以及画家技术和风格的识别。人们还特别关注图像处理技术,主要用于高光谱和射线照相数据,以充分利用创新技术和传统技术。

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