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Georg Buchner: Anatomist of the animal brain and the human mind

机译:Georg Buchner:动物脑和人类思想的解剖学家

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The writer Georg Buchner (1813-1837) is considered one of the giants of German literature. Comparatively less well known, however, is the fact that Buchner was also a gifted neuroanatomist who completed his medical studies with a dissertation on the nervous system of the barbel (a freshwater fish with a high incidence in the River Rhine) and gave a lecture on cranial nerves shortly afterward, hoping to secure a position at the University of Zurich. In the copious secondary literature on Buchner, it has often been discussed whether and how his poetic and scientific writings were interrelated. In this article, I compare Buchner's anatomical and literary views of the brain and argue that two distinct perspectives on the organ were developed here. In the literary works, human behavior was linked to the brain in a manner that betrays the influence of Franz Joseph Gall's organology. In the anatomical writing, the brain appeared as an exemplar of natural harmony and beauty. In the one case, the brain appeared as an aristocrat, in the other as a pariah. I take this stark contrast to mean that Buchner understood the brain as an epistemically slippery, contradictory object that could only be approached from different angles.
机译:作者Georg Buchner(1813-1837)被认为是德国文学的巨人之一。然而,相对众所周知,众所周知,Buchner也是一个有天赋的神经解析器,他们在杠铃的神经系统上完成了他的医学研究(淡水鱼在莱茵河的发病率很高)并讲课颅神经不久之后,希望能够在苏黎世大学获得职位。在Buchner的大量二级文献中,经常讨论他的诗意和科学作品是否有相互关联的。在本文中,我比较了Buchner对大脑的解剖学和文学观点,并争辩说,这里开发了对器官的两个不同观点。在文学作品中,人类行为与弗兰兹约瑟夫胆的有机物的影响的方式相关联。在解剖写作中,大脑出现为自然和谐和美丽的示例。在一个情况下,大脑出现为贵族,另一方面是贵族。我采取这种耻辱对比意味着Buchner将大脑理解为一个认识性的滑动,矛盾的物体,只能从不同的角度接近。

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