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Theatre methods for food security and sovereignty: A Brazilian scenario

机译:粮食安全和主权的戏剧方法:巴西情景

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摘要

After years of decline, hunger is again growing. In seeking ways to combat it, Brazil offers not just a relevant context for public policy and programming, but also an important conceptual framework for food and nutritional security. Socially and politically organized peasants deal directly with the concepts and practices of food security. Crucially, they are active in pursuing a food security definition that benefits them. One fundamental civil organization representing peasants in Brazil is the Landless Workers Movement - MST. Another, working closely with the MST, is the Borborema Trade Union Pole, which works according to the regional culture of its territory. Those civil organizations have agroecology as their fanning methodology. Many theatrical practices use narrative as a tool to discuss or promote issues in communities. In general, these practices are diverse and fall under the concept of Theatre for Development TFD. The article reviews TFD and proposes celebratory community based theatre as a method for narratives motivating improvements for food insecurity situations. The Borborema Trade Union Pole formed a community theatre group and created a play entitled Pamonhada in the House of Dona Nene. The play presents a community-based construction of the concept of food security based on the relationships between the concrete experience of the farming families and the local reality of family fanning.
机译:经过多年的下降,饥饿再次成长。在寻求打击它的方法中,巴西不仅为公共政策和规划提供了相关的背景,而且为食品和营养安全的重要概念框架提供。社会和政治组织的农民直接处理粮食安全的概念和实践。至关重要的是,他们积极追求福利的粮食安全定义。代表巴西农民的一个基本的民间组织是土着工人的运动 - MST。另一个,与MST密切合作,是Borborema Troper Union Pole,根据其领土的区域文化作品。这些民间组织将农业生态作为其扇形方法。许多戏剧实践使用叙述作为讨论或促进社区问题的工具。一般而言,这些做法是多元化的,并属于开发TFD剧院的概念。本文审查了TFD,并提出了庆祝社区基础的剧院作为叙事激励粮食不安全情况改进的方法。 Borborema Trade Union Pole成立了一个社区剧院集团,并在Dona Nene的房子里创造了一个题为Pamonhada的比赛。该剧基于农业家庭的具体经验与家庭扇动的当地现实之间的关系,提出了一种基于社区的粮食安全概念的构建。

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