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Do You Hear What I See? Analyzing Visibility and Audibility in the Rock Art Landscape of the Alicante Mountains of Spain

机译:你听到了我看到的吗? 分析西班牙阿利坎特山岩石艺术景观中的可见性和可听性

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This article examines the relationship between rock art landscapes and perception. It pays particular attention to vision and hearing, the two key senses for landscape awareness. Given the importance of scale in the study of rock art landscapes, a distinction is made between the adjacent landscape and the broader territorial scale. Several methodological improvements are suggested, including the importance of clipping viewsheds in GIS analysis and measuring directionality instead of orientation of the rock art shelters. In our case-study we explore the rock art landscape of the Alicante Mountains (northeastern Spain) during the Neolithic period (ca. 5600 to 2800 cal bc). A new interpretation of how the cognitive and symbolic behavior of communities changed over time is offered. We argue that the analysis of perception in rock art landscapes can provide novel ways of understanding communities' distinctive appropriation of their landscapes, linking both the tangible and intangible aspects of their culture.
机译:本文探讨了岩石艺术景观和感知之间的关系。它特别注意愿景和听证会,这是景观意识的两个关键感官。鉴于规模在岩石艺术景观研究中的重要性,在相邻的景观和更广泛的地域规模之间进行了区分。建议提出了几种方法改进,包括剪切视图在GIS分析和测量方向方面的重要性而不是岩石艺术避难所的方向。在我们的案例中,研究新石器时代(CA.5600至2800 CAR)期间探索阿利坎特山(东北部东北部)的岩石艺术景观。提供了对社区的认知和象征性如何随时间变化的新解释。我们认为,在岩石艺术风景中的看法分析可以提供一种了解社区的独特占用景观的新颖方式,与其文化的有形和无形的方面相连。

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