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Analog-to-digital conversion to accommodate the dynamics of live music in hearing instruments

机译:模数转换转换,以适应听力仪器中的现场音乐动态

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摘要

Hearing instrument design focuses on the amplification of speech to reduce the negative effects of hearing loss. Many amateur and professional musicians, along with music enthusiasts, also require their hearing instruments to perform well when listening to the frequent, high amplitude peaks of live music. One limitation, in most current digital hearing instruments with 16-bit analog-to-digital (A/D) converters, is that the compressor before the A/D conversion is limited to 95 dB (SPL) or less at the input. This is more than adequate for the dynamic range of speech; however, this does not accommodate the amplitude peaks present in live music. The hearing instrument input compression system can be adjusted to accommodate for the amplitudes present in music that would otherwise be compressed before the A/D converter in the hearing instrument. The methodology behind this technological approach will be presented along with measurements to demonstrate its effectiveness.
机译:听力仪器设计侧重于语音的放大,以减少听力损失的负面影响。 许多业余和专业的音乐家以及音乐爱好者,也需要他们的听力仪器在聆听现场音乐的频繁,高幅度峰时表现良好。 在具有16位模数(A / D)转换器的大多数当前数字听力仪器中的一个限制是,A / D转换之前的压缩机限制在输入端的95dB(SPL)或更小。 这对于动态的语音范围是足够的; 然而,这不会容纳现场音乐中存在的幅度峰值。 可以调整助听器输入压缩系统以适应音乐中存在的幅度,否则在听力仪器中的A / D转换器之前将被压缩。 将呈现这种技术方法背后的方法以及测量来证明其有效性。

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