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untitled (giran)

机译:无标题(重)

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摘要

Understanding wind is an important part of understanding Country. Winds bring change, knowledge and emotions. Connected to the winds are budyaan, or the birds, who know the winds best. This visual essay traces the development of Wiradjuri dhawura gulbanha (Wiradjuri wind philosophy), a project conceived with Dr Uncle Stan Grant AM, a senior Wiradjuri elder and knowledge holder. Throughout this visual essay, Wiradjuri is used rather than Indigenous or Aboriginal, as the project is based on specific Wiradjuri culture, knowledge, and language, to which the author belongs. In order to represent the winds, the project required thousands of feathers, which were provided with a public call out. The aim of this call out, in addition to collecting feathers, was to stimulate people to show yindyamarra (respect) and engage with their local environment, to take note of the birds that inhabit parks in cities and towns, and to learn to move slowly through Country by engaging with Country. The final work, untitled (giran) 2018, is a major installation with soundscape shown at the 9th Asia Pacific Triennial of Contemporary Art at the Queensland Art Gallery/Gallery of Modern Art, Brisbane. This visual essay, in the form of photographs and an extended caption, shows how Wiradjuri gulbanha (Wiradjuri philosophy) can benefit all members of the community.
机译:了解风是了解国家的重要组成部分。风带来变化,知识和情绪。与风相连是Budyaan,或鸟类,谁知道风最佳。这个视觉论文追溯了Wireadjuri Dhawura Gulbanha(Wireadjuri风哲学)的开发,该项目设有斯坦斯博士·格兰特博士,这是一位高级威尔德朱雷老年人和知识持有人。在整个这个视觉论文中,Wiradjuri被使用而不是土着或原住民,因为该项目基于提交人所属的特定Wireadjuri文化,知识和语言。为了代表风,该项目需要数千个羽毛,该羽羽有公共呼叫。此呼吁的目的是为了刺激人们来刺激人们展示Yindyamarra(尊重)并与他们当地的环境进行聘用,注意居住在城镇居住的鸟类,并学会慢慢移动通过与国家联系到国家。最终工作,Untitled(Giran)2018,是在昆士兰艺术画廊/现代艺术画廊的第9届亚太地区艺术艺术中显示的Soundscape的主要安装。这种视觉论文,以照片的形式和扩展标题,显示了Wiradjuri Gulbanha(Wireadjuri哲学)如何使社区的所有成员受益。

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