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Experiments with time: the technical image in video art, new media and the digital humanities

机译:随着时间的推移:视频艺术中的技术形象,新媒体和数字人文学科

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In this article, the author begins to identify a new way to understand the experiment in arts and humanities research. Focusing on the production of what Vilem Flusser calls technical images' in video art and new media projects, he suggests that the experiment in experimental art may be rethought as a method for testing concepts and observations through the application of media technology as an apparatus. The technical image is a time-critical way to understand automatic image making devices and using this method of analysis he identifies examples where artists and humanities scholars have programmed devices to experiment with the time of contemporary media culture. Beginning with an analysis of Mark Hansen and Ben Rubin's two works Listening Post and Moveable Type, the author uses a number of examples, from contemporary experiments with digital media to the experiments with video in the 1970s and 1980s, to show how artists and humanities scholars have used technical images to engage in experimental research outside the controlled laboratory of scientific experiments. If experimental scientists test scientific problems by developing, programming and applying an apparatus, the experimental artists identified in this article can likewise be seen to test aesthetic and cultural problems by similarly redesigning, scaling-up and experimentally applying media technology.
机译:在本文中,作者开始识别了解艺术和人文研究实验的新方法。专注于生产Vilem Flusser在视频艺术和新媒体项目中推出技术图像的制作,他建议通过将媒体技术应用作为装置,作为测试概念和观察的方法。技术形象是了解自动图像制作设备和使用这种分析方法的一种时间批判方法,他识别艺术家和人文学者对当代媒体文化的时间进行实验的程序。从Mark Hansen和Ben Rubin的两项作品的分析开始,提交人使用了一些例子,从当代实验与数字媒体的实验到20世纪70年代和20世纪80年代的视频,展示了艺术家和人文学者如何使用技术图像在科学实验的受控实验室外进行实验研究。如果实验科学家通过开发,编程和应用一种装置测试科学问题,本文中鉴定的实验艺术家同样可以通过类似重新设计,扩大和实验应用媒体技术来测试审美和文化问题。

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