首页> 外文期刊>The Journal of medical humanities >Unending Narrative, One-sided Empathy, and Problematic Contexts of Interaction in David Foster Wallace’s “The Depressed Person”
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Unending Narrative, One-sided Empathy, and Problematic Contexts of Interaction in David Foster Wallace’s “The Depressed Person”

机译:无休止的叙事,片面的同情和有问题的互动互动的互动的“沮丧的人”

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Abstract In 1997, David Foster Wallace published “The Depressed Person,” a short story about a privileged, deeply unhappy woman dedicated to exploring and recounting the texture and etiology of her chronic depression. This essay argues that “The Depressed Person” challenges the long-standing assumption that narrativizing the pain of depression is crucial to overcoming it, and the contemporary view that empathic responses from others promote recovery of the depressed. Taken together, these two critiques inform Wallace’s portrayal of chronic depression as an interactive phenomenon that is articulated, sustained, and regenerated through problematic contexts of interaction. Written at a time when public knowledge of and talk about depression was surging, “The Depressed Person” holds an important, if presently under-recognized place, in the expansive corpus of depression texts that emerged in the 1990s.
机译:摘要1997年,大卫福斯特华莱士出版了“沮丧的人”,一个关于一个特权的短篇小说,致力于探索和叙述她慢性抑郁的纹理和病因。 本文认为,“抑郁的人”挑战长期以来的假设,使抑郁症的痛苦叙事至关重要,克服它是至关重要的,以及其他人对他人的反应促进抑郁症的恢复是至关重要的。 占据了这两个批评,将华莱士描绘了慢性萧条作为互动现象,这是通过有问题的相互作用的问题阐述,持续和再生。 当公众知识和谈论抑郁症的呼吸飙升时,“沮丧的人”在20世纪90年代出现的抑郁症案文体中,“抑郁的人”持有一个重要的话。

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