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Towards a standard model of musical improvisation

机译:迈向音乐演义的标准模型

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Musical improvisation is a sophisticated cognitive process that combines creativity, goal-directed action, sensory monitoring and social interaction. With a renewed interest in quantifying creative processes facilitated by recent advances in neuroimaging technology, musical improvisation has emerged as an ideal paradigm to study creativity. However, many studies isolate the top-down processes related to creativity from those related to production and auditory perception, leaving the question of how creative behaviours integrate sensory information with higher cognitive processes unanswered. The bottom-up neural correlates of music perception have been extensively quantified, comprising networks for auditory processing and parsing semantic and syntactic content. In studies of spontaneously generated music and domain-general creativity, executive control and goal-directed movement networks are added to the perceptual foundation. This review summarises previous work on music perception and improvisation and presents a conceptual model of musical improvisation with known neural correlates. We make recommendations on future directions for the study of improvisation and discuss the challenges posed by this endeavour.
机译:音乐演出是一种复杂的认知过程,将创造力,目标导向行动,感官监测和社会互动结合在一起。随着在近期神经影像学技术的最近进步促进的量化促进的创造性过程的重新兴趣,音乐即兴创造性地是学习创造力的理想范式。然而,许多研究将与生产和听觉感知有关的创造力有关的自上而下的过程,留下了创造性行为如何将感官信息与未答复更高的认知过程集成的问题。音乐感知的自下而上的神经相关性已经广泛地量化,包括用于听觉处理和解析语义和语法内容的网络。在自发产生的音乐和领域的创造力的研究中,加入了行政控制和目标定向的移动网络。本综述总结了以前关于音乐感知和即兴创作的工作,并呈现了具有已知神经相关性的音乐改性的概念模型。我们提出了未来的进步方向的建议,并讨论这一努力提出的挑战。

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