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Relations Between Balance, Prototypicality, and Aesthetic Appreciation for Japanese Calligraphy

机译:日本书法的平衡,原型和审美欣赏的关系

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Aesthetic appreciation of pictures partly depends on the perceptual balance of their elements. This relation has also been supported by objective measures predicting balance ratings as well as preference. Gershoni and Hochstein, however, applied these measures to Japanese calligraphies and failed to find such a relation, which questions the generality of these balance concepts. In our first experiment, we, therefore, tried to replicate these results with a slightly different method. In addition, we calculated further balance measures and collected liking ratings. As result, perceptual balance was again uncorrelated with the measures and with liking. In a second experiment, participants assessed the perceptual stability of the calligraphies, which was considered as alternative concept of balance, and their prototypicality. After discounting the effects of prototypicality on liking, there were correlations between liking and stability and between liking and one of the balance measures. However, the correlations were reliable only for atypical calligraphies.
机译:图片的审美欣赏部分取决于其元素的感知平衡。这一关系也得到了预测平衡评级以及偏好的客观措施。然而,Gershoni和Hochstein将这些措施应用于日本书法,未能找到这样的关系,这些关系是这些平衡概念的一般性。因此,在我们的第一个实验中,我们试图用略微不同的方法复制这些结果。此外,我们计算了进一步的平衡措施并收集了喜欢的评级。结果,感知平衡再次与措施并喜欢。在第二个实验中,参与者评估了书法的感知稳定性,被认为是平衡的替代概念及其原型。在折扣原型的效果之后,喜欢和稳定性之间以及喜欢与平衡措施之间的相关性。但是,相关性仅适用于非典型书法。

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