首页> 外文期刊>Archaeometry >RECOVERY OF A LOST WALL PAINTING AT THE ETRUSCAN TOMB OF THE BLUE DEMONS IN TARQUINIA (VITERBO, ITALY) BY MULTISPECTRAL REFLECTOMETRY AND UV FLUORESCENCE IMAGING
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RECOVERY OF A LOST WALL PAINTING AT THE ETRUSCAN TOMB OF THE BLUE DEMONS IN TARQUINIA (VITERBO, ITALY) BY MULTISPECTRAL REFLECTOMETRY AND UV FLUORESCENCE IMAGING

机译:通过多光谱反射测度测量和UV荧光成像,在Tarquinia(Vitterbo,意大利)的蓝色恶魔的etruscan坟墓中恢复了壁画。

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This paper presents the results of a multispectral reflectometry and ultraviolet (UV) fluorescence study on the entrance wall of the Tomb of the Blue Demons in the Necropolis of Monterozzi (450-430 BC) in Tarquinia (Viterbo, Italy), which is a UNESCO site. The technique is based on the acquisition of a multispectral set ranging from 10 to 25 images, acquired at wavelengths between 370 and 1120 nm, with a spectral width of 50 nm per image, using both halogen lamps for visible and infrared images and high-purity UV diodes for fluorescence. Blind-source separation algorithms were then applied to the whole image set to extract from the resulting images the details not otherwise visible in the single spectral images. The multispectral technique presented was tested and improved upon over the last decade on ancient Etruscan and Roman wall paintings and, because of its quickness and cost-effectiveness, it can now be proposed as a powerful tool for the study of poorly conserved archaeological wall paintings and a preliminary diagnostic survey before any future conservation intervention on them.
机译:本文介绍了在Tarquinia(意大利维特博(Vitterbo)的蒙特罗兹(450-430 BC)的蓝色恶魔坟墓的入口墙上的多光谱反射测量和紫外线(UV)荧光研究的结果,这是一个教科文组织地点。该技术基于获取从10到25个图像的多光谱集,在370和1120nm之间获取的波长,每个图像的光谱宽度为50nm,使用两个卤素灯,用于可见和红外图像和高纯度用于荧光的UV二极管。然后将盲源分离算法应用于整个图像集以从所得到的图像中提取,这些图像在单频谱图像中不可出现的细节。在古代埃尔多斯卡州和罗马墙绘制的最后十年中,呈现的多光谱技术经过测试和改善,并且由于其快速和成本效益,现在可以作为研究守恒的考古墙绘画和任何未来保护干预之前的初步诊断调查。

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