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首页> 外文期刊>Nature reviews Cancer >Men in Black: Performing masculinity in 17th-and 18th-century Iceland
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Men in Black: Performing masculinity in 17th-and 18th-century Iceland

机译:黑色的男人:在17日和18世纪的冰岛表演男性气质

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Studies in masculinity have lagged behind in the field of gender studies though recent scholarship is making up for this disparity. In this paper, we tackle the question of masculinity and modernity in early modern Iceland through an analysis of archaeological material relating to dress from the site of an Icelandic bishopric and school, Skalholt, during the late 17th and 18th centuries. We explore both the symbolic and performative dimensions of dress in relation to masculinity as it is traversed by other facets of identity including status, nationalism, and calling. An important focus of our study is to unravel the subtle negotiations that are evident in dress and linked to the performative construction of different and sometimes competing masculinities. Tensions between Lutheran ideals, nationalistic pride in homespun and elite status, and more generally between clerical and nonclerical masculinities can all be seen in the way dress and dress accessories are made to work.
机译:虽然最近的奖学金正在弥补这种差异,但男性气概的研究已经落后于性别研究领域。 在本文中,我们通过分析了第17岁至18世纪末期的冰岛思想和学校的衣服和斯基尔霍尔特的衣服的考古材料,解决了早期现代冰岛的阳刚地和现代性问题。 我们探讨了与阳刚地的连衣裙的象征性和表演尺寸,因为它被其他方面的身份遍历,包括状态,民族主义和呼叫。 我们研究的一个重要焦点是解开衣服中明显的微妙谈判,与不同竞争的阳像引起的表演建设相关。 路德人之间的紧张局势,主页和精英地位的民族主义骄傲,以及更普遍的文书和非职业阳刚地之间都可以在衣服和服饰配件上看到。

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