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The Impact of Implicit Self-Theory on Rated Creativity in Third- and Sixth-Graders

机译:内隐自我理论对三年级和六年级学生额定创造力的影响

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A total of 114 3rd- and 6th-graders from a suburban elementary school participated in a study examining the influence of implicit self-theories on rated creativity in the domains of art and literature in a quasi-experiment. Creativity was measured via the Consensual Assessment Technique. Participants were divided into two groups and received different sets of instructions emphasizing either an incremental or entity-implicit theory of creativity, before completing a drawing task and a writing task. Implicit theories of creativity of participants were measured before and after the instructions were given. The results indicated that participants in the incremental group showed increased incremental views following the manipulation; participants in the entity group showed no significant change. The writing (but not the artwork) from the incremental group was rated as more creative than those from the entity group. This effect was stronger for third graders than for sixth graders, suggesting that implicit theory interventions are more effective with younger children. Implications are discussed.
机译:来自郊区小学的总共114名3年级和6年级的学生参加了一项研究,研究了隐性自我理论对艺术和文学领域中被评价的创造力的影响。通过共识评估技术衡量创造力。参加者分为两组,分别接受不同的指导,强调完成创作任务和写作任务之前的渐进式或隐式创造力理论。在给出指示之前和之后,对参与者的内隐创造力理论进行了测量。结果表明,增量组的参与者在操作后显示了更多的增量视图;实体组的参与者没有显着变化。增量小组的作品(而非艺术品)被评为比实体小组的作品更具创造力。对于三年级学生来说,这种影响要强于六年级学生,这表明隐性理论干预对年幼的孩子更有效。讨论了含义。

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