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Telling stories about abortion: Abortion-related plots in American film and television, 1916-2013

机译:讲堕胎的故事:1916-2013年美国电影和电视中与堕胎有关的情节

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Objectives Popular discourse on abortion in film and television assumes that abortions are under- and misrepresented. Research indicates that such representations influence public perception of abortion care and may play a role in the production of social myths around abortion, with consequences for women's experience of abortion. To date, abortion plotlines in American film and television have not been systematically tracked and analyzed. Study design A comprehensive online search was conducted to identify all representations of pregnancy decision making and abortion in American film and television through January 2013. Search results were coded for year, pregnancy decision and mortality outcome. Results A total of 310 plotlines were identified, with an overall upward trend over time in the number of representations of abortion decision making. Of these plotlines, 173 (55.8%) resulted in abortion, 80 (25.8%) in parenting, 13 (4.2%) in adoption and 21 (6.7%) in pregnancy loss, and 16 (5.1%) were unresolved. A total of 13.5% (n= 42) of stories ended with the death of the woman who considered an abortion, whether or not she obtained one. Conclusions Abortion-related plotlines occur more frequently than popular discourse assumes. Year-to-year variation in frequency suggests an interactive relationship between media representations, cultural attitudes and policies around abortion regulation, consistent with cultural theory of the relationship between media products and social beliefs. Patterns of outcomes and rates of mortality are not representative of real experience and may contribute to social myths around abortion. The narrative linking of pregnancy termination with mortality is of particular note, supporting the social myth associating abortion with death. Implications This analysis empirically describes the number of abortion-related plotlines in American film and television. It contributes to the systematic evaluation of the portrayal of abortion in popular culture and provides abortion care professionals and advocates with an initial accurate window into cultural stories being told about abortion.
机译:目的影视界关于堕胎的流行论述都假定堕胎的代表性和代表性不足。研究表明,这种代表影响公众对堕胎护理的看法,并可能在堕胎周围的社会神话的产生中起作用,对妇女的堕胎经历产生影响。迄今为止,还没有系统地跟踪和分析美国电影和电视中的堕胎情节。研究设计进行了全面的在线搜索,以确定截至2013年1月在美国电影和电视中妊娠决策和流产的所有表现形式。搜索结果按年份,妊娠决策和死亡率结果进行编码。结果共鉴定出310条绘图线,人工流产决策的代表数量随时间总体呈上升趋势。在这些情节中,有173人(55.8%)导致流产,有80人(25.8%)为人父母,有13人(4.2%)领养,有21人(6.7%)失去妊娠,还有16人(5.1%)未解决。总共13.5%(n = 42)的故事以考虑堕胎的妇女死亡而告终,无论她是否获得了堕胎。结论与堕胎有关的情节出现的频率比流行话语所假设的更为频繁。频率的逐年变化表明,围绕流产法规的媒体表征,文化态度和政策之间存在互动关系,这与媒体产品与社会信仰之间关系的文化理论一致。结果和死亡率的模式并不代表真实的经验,可能会导致流产的社会神话。特别值得注意的是终止妊娠与死亡率的叙事联系,支持将流产与死亡联系在一起的社会神话。启示这项分析从经验上描述了美国电影和电视中与堕胎有关的情节。它有助于对流行文化中堕胎行为的系统评价,并为堕胎护理专业人士和倡导者提供初步准确的窗口,以了解有关堕胎的文化故事。

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