首页> 外文期刊>Cognition: International Journal of Cognitive Psychology >Your kid could not have done that: Even untutored observers can discern intentionality and structure in abstract expressionist art
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Your kid could not have done that: Even untutored observers can discern intentionality and structure in abstract expressionist art

机译:您的孩子可能做不到:即使没有受过训练的观察者也可以辨别抽象表现主义艺术中的意图和结构

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Can people with no special knowledge about art detect the skill, intentionality, and expressed meanings in non-representational art? Hawley-Dolan and Winner (2011) showed participants without training in art images of abstract expressionist paintings paired with superficially similar works by children or animals and asked them which they preferred and which was a better work of art. Participants selected the works by artists in response to both questions at a rate above chance. In Study 1, we used the same image pairs but asked a more direct question: which painting is by the artist rather than the child or animal? Individuals with no familiarity with abstract expressionism correctly identified the artists' works at a rate significantly above chance. In Study 2 participants saw each image singly and were asked whether it was by an artist or a child or animal. Participants unfamiliar with abstract expressionism again correctly identified the source of the works at a rate above chance. Study 3 demonstrated that this discrimination is made on the basis of perceived intentionality and perceived structure. People see more than they think they do in abstract art. These findings tell us something about the nature of non-figurative art. They also tell us something about the human tendency to ferret out intentionality. (c) 2014 Elsevier B.V. All rights reserved.
机译:对艺术没有特殊知识的人能否在非代表性艺术中发现技巧,意图和表达的含义? Hawley-Dolan和Winner(2011)向参加者展示了未经培训的参与者,他们接受了抽象表现主义绘画的艺术图像,再加上儿童或动物的表面相似的作品,并询问他们更喜欢哪种艺术品,哪一种是更好的艺术品。参加者选择艺术家的作品以高于偶然的速度回答了这两个问题。在研究1中,我们使用了相同的图像对,但提出了一个更直接的问题:哪幅画是艺术家而不是儿童或动物创作的?不熟悉抽象表现主义的人正确地识别了艺术家的作品,其比率大大高于偶然性。在研究2中,参与者单独看到了每幅图像,并被询问是由艺术家,还是儿童还是动物引起的。不熟悉抽象表现主义的参与者再次以高于偶然的速度正确地确定了作品的来源。研究3表明,这种歧视是基于感知的意图和感知的结构而进行的。人们在抽象艺术中所看到的比他们想象的要多。这些发现告诉我们一些关于非形象艺术的性质。他们还告诉我们一些有关人类倾向故意的倾向。 (c)2014 Elsevier B.V.保留所有权利。

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