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Best lighting for visual appreciation of artistic paintings--experiments with real paintings and real illumination

机译:视觉欣赏艺术作品的最佳照明-真实绘画和真实照明的实验

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In a previous study based on monitor simulations of artistic paintings, it was found that the average correlated color temperature (CCT) of daylight preferred by a large set of observers to illuminate paintings was around 5100 K. The goal of the present study was to test if this result holds in real viewing conditions, i.e., with real paintings and real light sources. The same 11 paintings were tested in real conditions illuminated by a spectrally tunable light source and with accurate monitor simulations. To ensure uniform illumination across the paintings, only a central part of the paintings was visible to the observers. It was found that the average CCT preferred for real and monitor viewing conditions were very similar, 5500 and 5700 K, respectively. The somewhat larger CCT obtained with monitor viewing in relation to the former study was only observed in some paintings and was attributed to the smaller viewing area. These results confirm that CCT for best appreciation of paintings is higher than normally used in museums, and the viewing conditions, real or simulated, have only a minor effect.
机译:在先前基于艺术绘画监控模拟的研究中,发现大量观察者偏爱的日光平均相关色温(CCT)为5100K。本研究的目的是测试如果此结果在真实的观看条件下(即使用真实的绘画和真实的光源)成立。相同的11幅画在真实条件下进行了测试,这些条件由光谱可调光源照明并具有精确的监视器模拟。为了确保整个画作的照明均匀,观察者只能看到画的中央部分。结果发现,实际和监视器观看条件下的平均CCT值非常相似,分别为5500和5700K。与以前的研究相比,使用监视器观看时获得的CCT稍大,仅在某些画中观察到,并且归因于较小的观看区域。这些结果证实,对画作最佳欣赏的CCT比博物馆中通常使用的要高,并且无论是真实的还是模拟的观看条件,其影响都很小。

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