首页> 外文期刊>Journal of Raman Spectroscopy: An International Journal for Original Work in All Aspects of Raman Spectroscopy, Including Higher Order Processes, and Also Brillouin- and Rayleigh Scattering >Comparative palette characterization of oil-on-canvas paintings of two well-known 19th-century Colombian artists by confocal Raman spectroscopy
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Comparative palette characterization of oil-on-canvas paintings of two well-known 19th-century Colombian artists by confocal Raman spectroscopy

机译:共焦拉曼光谱法比较两位19世纪著名哥伦比亚艺术家的画布油画的调色板特征

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Confocal micro-Raman spectroscopy has been used for the first time in Colombia to obtain the color palette of two Colombian artists from the 19th century: Jose Maria Espinosa and Epifanio Garay. A new technique to handle and store micro-samples from oil-on-canvas paintings is shown, as well as a technique that allows for direct measurement of the front and back surfaces, and stratigraphic layers of the samples, avoiding the classical embedded resin process, thereby increasing the total area of analysis while decreasing the sample size and preparation time before analysis. Additionally, an optical probe for in situ ( on-site) Raman measurements was developed to non-destructively analyze large paintings. Raman spectroscopic and additional optical microscopic observation resulted in the accurate identification of the artistic technique and the pictorial palette of both artists by using the proposed techniques. Common pigments, such as vermillion, carbon black, Prussian blue, lead white, as well non-common pigment as siderite (used as yellow by Espinosa), were clearly identified. These palettes, so far only ascribed to these two artists, were the basis for the authentication of two oil paintings. Copyright (C) 2016 John Wiley & Sons, Ltd.
机译:共焦显微拉曼光谱法在哥伦比亚首次用于获得19世纪两位哥伦比亚艺术家的调色板:何塞·玛丽亚·埃斯皮诺萨(Jose Maria Espinosa)和Epifanio Garay。显示了一种处理和存储画布上油画中的微样品的新技术,以及一种可以直接测量样品的正面和背面以及地层的技术,从而避免了传统的嵌入式树脂工艺,从而增加了分析的总面积,同时减少了样品大小和分析前的准备时间。此外,还开发了一种用于原位(现场)拉曼测量的光学探头,可以无损地分析大型绘画。通过使用拉曼光谱和附加的光学显微镜观察,可以通过所提出的技术来准确识别两位艺术家的艺术技巧和绘画调色板。可以清楚地识别出常见的颜料,如朱砂,炭黑,普鲁士蓝,铅白,以及不常见的菱铁矿颜料(埃斯皮诺萨用作黄色)。到目前为止,这些调色板仅归因于这两位艺术家,是鉴定两幅油画的基础。版权所有(C)2016 John Wiley&Sons,Ltd.

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