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Micro-Raman analysis for the identification of pigments from 19th and 20th century paintings

机译:显微拉曼分析用于鉴定19世纪和20世纪绘画中的颜料

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摘要

In this article, results using confocal mu-Raman to analyse the cross-section of paint samples are presented. Results obtained with light microscopy, scanning electron microscopy (SEM) combined with an energy dispersive X-ray analysis (EDX) and micro-X-ray fluorescence (mu-XRF) are mentioned and compared to the ones obtained with confocal (MRS). In some cases, pigment identification was possible only by combining analytical results from different techniques. The samples were drawn from five paintings belonging to the Academy of Fine Arts of Antwerp, which are part of a collection of 34 paintings made by students from the Academy between 1819 and 1920. Since, on the one hand, the painting techniques and materials, especially pigments, used in this period are still not completely known, and on the other hand, this collection constitutes a very important and reliable resource of information, these paintings were chosen for a systematic investigation. They represent the evolution of painting in Belgium over approximately a century. Copyright (c) 2008 John Wiley & Sons, Ltd.
机译:在本文中,介绍了使用共聚焦拉曼光谱分析油漆样品横截面的结果。提到了用光学显微镜,扫描电子显微镜(SEM)结合能量色散X射线分析(EDX)和微X射线荧光(mu-XRF)获得的结果,并将其与共聚焦(MRS)获得的结果进行了比较。在某些情况下,只有结合不同技术的分析结果才能鉴定颜料。这些样本是从安特卫普美术学院的五幅画中抽取的,这些画作是1819年至1920年间该学院学生所创作的34幅画集的一部分。特别是在这一时期使用的颜料仍不完全清楚,另一方面,该收藏品构成了非常重要和可靠的信息资源,因此选择这些画作进行系统的研究。它们代表了比利时近一个世纪以来绘画的演变。版权所有(c)2008 John Wiley&Sons,Ltd.

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