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Unique in its cha?ne opératoire, unique in its symbolism: undressing a figurine from the 6th Millennium BC K?r?s culture, Hungary

机译:独特的歌剧演出,独特的象征意义:从公元前六千年的克尔人文化中脱去雕像,匈牙利

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In the southern part of the Danube-Tisza interfluve (Hungary), a dense Early Neolithic, K?r?s culture settlement was identified during the excavation of Szakmár-Kisülés. Among several unregistered finds was a unique, mostly intact, clay horned figurine often referred to as a clay horn, bull representation. However, female genitalia is represented on the figurine, indicating that the objects is a female symbol. The practice of cattle keeping and secondary products are important economic topics in the Early Neolithic of the Carpathian Basin. The broken base of the figurine suggests that at one time the object was attached to a four-legged altar. Importantly, its base reveals that the figurine was created with multiple layers of clay. The various techniques for characterizing the figurine open new avenues of interpretation concerning how the object was made. A broken section of the figurine shows three distinct layers of manufacture and in order to better understand its construction computed tomography (CT), ceramic petrography, geochemical analyses (LAICP- MS and XRD), and phytolith analysis were applied. The results indicate that the figurine was made from three clearly identifiable layers, created during three distinct manufacturing episodes. The results suggest that after each manufacturing episode the figurine was fired again, implying that it also was utilized after each building phase. The raw materials from the different manufacturing episodes are similar petrographically and geochemically, indicating that the figurine was made from similar raw materials. Nevertheless, the raw materials of the different manufacturing episodes show differences in organic temper supporting our contention that the figurine had three distinct manufacturing episodes. The utilization of multiple interdisciplinary methods highlights the complex biography of the figurine.
机译:在多瑙河-蒂萨河道之间的匈牙利南部(匈牙利),在开挖萨克马-基苏莱斯时发现了一个密集的新石器时代早期的科尔什文化定居点。在一些未注册的发现中,有一个独特的(大多是完整的)黏土角雕像,通常被称为黏土角公牛雕像。但是,小雕像上有女性生殖器,表明该物体是女性的象征。在喀尔巴阡盆地的新石器时代早期,养牛和次级产品的做法是重要的经济主题。小雕像的基部被折断了,表明该物体曾一次被固定在一个四足的祭坛上。重要的是,它的基础揭示了小雕像是由多层粘土制成的。刻画雕像的各种技术开辟了关于如何制作物体的新解释途径。小雕像的断面显示了三个不同的制造层,为了更好地了解其构造,计算机断层扫描(CT),陶瓷岩石学,地球化学分析(LAICP-MS和XRD)和植石分析被应用。结果表明,该塑像是由三个明显可识别的层制成的,这些层是在三个不同的制造过程中创建的。结果表明,在每次制造事件后,该雕像都被再次烧制,这意味着在每个建造阶段也都使用了该雕像。不同制造时期的原材料在岩石学和地球化学方面都相似,这表明小雕像是由相似的原材料制成的。然而,不同制造事件的原材料在有机质方面表现出差异,这支持了我们的观点,即小雕像具有三个不同的制造事件。多种跨学科方法的运用突显了小雕像的复杂传记。

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