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THE COVER

机译:封面

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摘要

The Cage (cover), painted in 1885 when Morisot was in her mid-40s, is a wonderful amalgam of both artistic method and personal message. The work is clearly Impressionist in its heightened palette and in its loose, broad brush strokes. Although the gilded cage and the porcelain bowl of flowers are clearly indicated, both foreground and background are ambiguous, almost abstract in their execution. Within the cage two birds, surrounded by various delft blue food and water containers, are roosting on an upper perch. Behind and to the right of the cage is a beautifully decorated bowl containing cut flowers. The foreground is executed-with loose horizontal strokes, whereas in the upper part of the painting the strokes become tighter and more oblique, echoing the upper bars of the cage and also imparting a sense of movement to the otherwise static scene. The overall golden palette is balanced against blues and greens and accented with the tiny red daubs on the birds and the decorated bowl.
机译:笼子(封面)于1885年画在莫里索特(Morisot)40多岁时,是艺术手法和个人信息的完美结合。显然,该作品在其加高的调色板和松散,广泛的笔触中都是印象派画家。尽管清楚地标出了镀金的笼子和瓷花碗,但前景和背景都模棱两可,执行时几乎是抽象的。在笼子里,两只鸟被栖息在上面的各种蓝色食品和水容器围绕着,栖息在较高的栖息处。笼子的右边和右边是一个装饰精美的碗,里面装有切花。用松散的水平笔触来执行前景,而在绘画的上部,笔触变得更紧且更倾斜,与笼子的上部条形相呼应,并为原本静止的场景赋予了运动感。整个金色调色板与蓝色和绿色保持平衡,并在鸟类和装饰碗上点缀着微小的红色涂抹。

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