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首页> 外文期刊>The Journal of the Acoustical Society of America >Pitch strength of regular-interval click trains with different length 'runs' of regular intervals
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Pitch strength of regular-interval click trains with different length 'runs' of regular intervals

机译:规则间隔的不同长度“游程”的规则间隔单击火车的音调强度

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Click trains were generated with first- and second-order statistics following Kaernbach and Demany [J. Acoust. Soc. Am. 104, 2298-2306 (1998)]. First-order intervals are between successive clicks, while second-order intervals are those between every other click. Click trains were generated with a repeating alternation of fixed and random intervals which produce a pitch at the reciprocal of the duration of the fixed interval. The intervals were then randomly shuffled and compared to the unshuffled, alternating click trains in pitch-strength comparison experiments. In almost all comparisons for the first-order interval stimuli, the shuffled-interval click trains had a stronger pitch strength than the unshuffled-interval click trains. The shuffled-interval click trains only produced stronger pitches for second-order interval stimuli when the click trains were unfiltered. Several experimental conditions and an analysis of runs of regular and random intervals in these click trains suggest that the auditory system is sensitive to runs of regular intervals in a stimulus that contains a mix of regular and random intervals. These results indicate that fine-structure regularity plays a more important role in pitch perception than randomness, and that the long-term autocorrelation function or spectra of these click trains are not good predictors of pitch strength. © 2005 Acoustical Society of America.
机译:点击火车是根据Kaernbach和Demany [J. co Soc。上午。 104,2298-2306(1998)]。一阶间隔是连续点击之间的间隔,二阶间隔是每两次单击之间的间隔。单击序列是在固定间隔和随机间隔的重复交替下生成的,从而在固定间隔持续时间的倒数上产生间距。然后在音高-强度比较实验中,将间隔随机改组,并与未改组的交替单击序列进行比较。在几乎所有对一阶间隔刺激的比较中,改组间隔点击串音的音调强度均高于未改组间隔点击串音的音调强度。杂音间隔咔嗒声串在未过滤咔嗒声串时仅对二阶间隔刺激产生更强的音调。这些点击序列中的几种实验条件以及对规则间隔和随机间隔运行的分析表明,听觉系统对包含规则间隔和随机间隔混合的刺激中的规则间隔运行敏感。这些结果表明,精细结构的规律性在音高感知中比随机性更重要,并且这些点击序列的长期自相关函数或频谱并不是音高强度的良好预测指标。 &复制; 2005年美国声学学会。

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