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Anthropometric comparison of painting portraits of beautiful women, femme fatales, and Artists' mothers

机译:美丽女人,蛇蝎美人和艺术家母亲的绘画肖像的人体测量比较

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The aim of this study was to compare the painting portraits of beautiful women, femme fatales, and artists' mothers using anthropometry.Portraits of each theme were selected in modern novels, essays and picture books, and categorized portraits. A total of 52 samples were collected, including 20 beautiful women, 20 femme fatales, and 12 artists' mothers. In 5 persons, 17 anthropometric ratios including the alae-alae/zygion-zygion ratio were compared in a 15-degree oblique view and in anteroposterior view photographs, and they were proved to not differ significantly. To distinguish oblique portraits less than 15 degrees, we measured the exocanthion-stomion-exocanthion (ESE) angle in photographs of 5 volunteers. The mean ± SD of the ESE angle was 64.52 ± 4.87 in the 15-degree angle view and 57.68 ± 54.09 in the 30-degree angle view. Thereafter, if the ESE angle was greater than 65 degrees, we considered the portrait to have less than a 15-degree angle and included it in the samples.The ratio did not differ significantly in 11 anthropometric proportions. However, the remaining 5 proportions were statistically significant. Beautiful women had wider noses (85% of the endocanthion-endocanthion width) than those of the femme fatale group (77%). Lips in the beautiful woman group are nicer and thicker (36% of lip's width) compared with the artists' mother group (27%). Femme fatales were relatively similar to beautiful women such as those women with nice and thick lips. However, the femme fatale group had an attractive midface ratio (36% of the total face height) that has been mentioned in the older literature, and the noses of the femme fatale group were narrower and sharper (77% of the endocanthion-endocanthion width) than those of the beautiful women (85%). The artists' mother group has a relatively narrower upper face (29% of the total face height) and thinner lips (27% of the lip width) compared with the other 2 groups (36%).Proportions from works of art are more ideal and attractive than clinically measured proportions. The ideal ratios measured from historical portraits might be useful in planning facial surgeries.
机译:这项研究的目的是使用人体测量学比较美女,蛇蝎美人和艺术家母亲的绘画肖像,并在现代小说,杂文和图画书中选择每种主题的肖像,并对肖像进行分类。总共收集了52个样本,其中包括20位美女,20位蛇蝎美人和12位艺术家的母亲。在5个人中,在15度斜视图和前后视图照片中比较了17种人体测量比,包括alae-alae / zygion-zygion比率,事实证明它们没有显着差异。为了区分小于15度的倾斜人像,我们在5名志愿者的照片中测量了exocanthion-stomion-exocanthion(ESE)角度。 ESE角的平均值±SD在15度角视图中为64.52±4.87,在30度角视图中为57.68±54.09。此后,如果ESE角大于65度,则我们认为该肖像的角度小于15度,并将其包括在样本中。该比例在11种人体测量比例上没有显着差异。但是,其余5个比例在统计上是显着的。美丽的女人的鼻子(内can硫磷-内can硫磷宽度的85%)比蛇蝎美人组的鼻子(77%)更宽。与艺术家的母亲组(27%)相比,美丽女人组中的嘴唇更漂亮,更浓密(占嘴唇宽度的36%)。蛇蝎美人与漂亮的女人相对相似,例如那些嘴唇漂亮而浓密的女人。但是,蛇蝎美人组的中脸比例(占总面部高度的36%)在较早的文献中已经提到,而蛇蝎美人组的鼻子更窄且更锋利(内弯头-内弯头宽度的77%) )比漂亮女人(85%)高。与其他两组(36%)相比,艺术家的母亲组的上脸相对较窄(占脸总高度的29%)和嘴唇较薄(占唇宽的27%)。并且比临床测量的比例更具吸引力。从历史肖像中测得的理想比例可能对计划面部手术有用。

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