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Hearing of note: An electrophysiologic and psychoacoustic comparison of pitch discrimination between vocal and instrumental musicians

机译:笔记的听觉:声乐和器乐演奏者在音高辨别上的电生理和心理声学比较

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摘要

Cortical auditory evoked potentials of instrumental musicians suggest that music expertise modifies pitch processing, yet less is known about vocal musicians. Mismatch negativity (MMN) to pitch deviances and difference limen for frequency (DLF) were examined among 61 young adult women, including 20 vocalists, 21 instrumentalists, and 20 nonmusicians. Stimuli were harmonic tone complexes from the mid-female vocal range (C4-G4). MMN was elicited by multideviant paradigm. DLF was obtained by an adaptive psychophysical paradigm. Musicians detected pitch changes earlier and DLFs were 50% smaller than nonmusicians. Both vocal and instrumental musicians possess superior sensory-memory representations for acoustic parameters. Vocal musicians with instrumental training appear to have an auditory neural advantage over instrumental or vocal only musicians. An incidental finding reveals P3a as a sensitive index of music expertise.
机译:乐器音乐家的皮层听觉诱发电位表明,音乐专长会改变音高处理,但对声乐音乐家所知甚少。在61名年轻成年女性中,包括20名歌手,21名乐器演奏家和20名非音乐人,检查了音调偏差和音色差异(DLF)的不匹配负性(MMN)。刺激是来自女性中音范围(C4-G4)的谐音复合体。 MMN是由多范式引发的。 DLF是通过适应性心理物理学范式获得的。音乐家较早发现音高变化,而DLF比非音乐家小50%。声乐和器乐演奏者都具有出色的感觉参数来表示声学参数。经过工具训练的声乐音乐家似乎比只有工具或声乐的音乐家具有听觉神经优势。一个偶然发现表明P3a是音乐专业知识的敏感指标。

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