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A Circular Debate: Rock Carvings at Knarrbyn, Dalsland, Sweden

机译:圆形辩论:瑞典达尔斯兰州纳尔宾的岩石雕刻

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摘要

The rock carvings at Knarrbyn in Dalsland, Sweden, lie high on a rocky ridge and consist almost entirely of multiple circles in various groups. In both location and imagery the panels at Knarrbyn provide a contrast with the varied figurative images on a majority of large rock carving sites of the Bronze Age in southern Scandinavia, which are mostly set low and near the contemporary seas. The paper aims to explore both shape and place of the Knarrbyn discs, with new recordings and landscape assessment. In contrast to the general opinion that Bronze Age carvings of circles had some close relationship to concepts of the sun, the Knarrbyn discs, by their unusual internal shaping and their position here on the high rocks, offer an alternative concept, that these particular carvings had close physical and ideological relationships with Bronze Age burial cairns in this isolated part of Dalsland. These and other late prehistoric monuments are mapped in the paper and include several previously unrecorded sites on the Knarrbyn ridge. The precise landscape location of the carving sites suggests they were part of a sacred passage in the Bronze Age, leading southwards to the major cemetery and rock carving sites at Tisselskog; such a passage may have foreshadowed and influenced the emergence and orientation of the Pilgrimsleden that traversed the same landscape some 2000 years later.
机译:瑞典达尔斯兰州Knarrbyn的岩画高高耸立在多岩石的山脊上,几乎完全由多个小组中的多个圆圈组成。在位置和图像上,Knarrbyn的面板与斯堪的纳维亚半岛南部青铜时代的大多数大型岩石雕刻场上的各种具象形象形成对比,这些岩画场大多位于低矮且靠近现代海洋的地方。本文旨在通过新的录音和景观评估来探索Knarrbyn光盘的形状和位置。与一般的看法不同,青铜时代的圆形雕刻与太阳的概念有密切的关系,而Knarrbyn圆盘由于其不寻常的内部形状和它们在高大岩石上的位置而提供了另一种概念,即这些特殊的雕刻具有在达斯兰的这片偏僻地区与青铜时代的墓葬石棺有着紧密的身体和思想联系。这些和其他史前晚期古迹都在论文中进行了绘制,并在Knarrbyn山脊上包括了几个以前未记录的地点。雕刻地点的精确景观位置表明它们是青铜时代神圣通道的一部分,向南通向Tisselskog的主要墓地和岩石雕刻地点。这样的通道可能预示并影响了大约2000年后穿越同一风景的朝圣者雪橇的出现和方向。

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