Structural Content in Paintings II: Artists Commissioned to Reproduce a Specific Image Over-Regularize Orientation Biases in Their Paintings

摘要

Measurements of psychophysical performance show that the visual system is biased in ways that counteract statistical regularities of natural scenes thereby allowing efficient coding. Here we consider the perceptual effects of these encoding biases in a "holistic" way by measuring characteristics of the paintings produced by artists making perceptual matches to a natural scene image; 10 artists were asked to produce an exact copy of a single outdoor landscape scene. The structural content of the paintings produced and the "ground truth" image were compared in the frequency domain. The artists were found to over-regularize the orientation content in the paintings: The anisotropy existing only at the lowest spatial scales in the natural scene image was produced across all spatial scales in these commissioned paintings. These results were compared to those from two other methods of comparing paintings and natural scenes reported previously in a companion paper and all three methodologies indicate very similar over-regularization. We suggest that artists may have a general canonical representation of structural relations of scenes that they apply broadly within their creations.