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Aesthetic preference in the spatial composition of traditional Chinese paintings

机译:中国传统绘画空间构成中的审美偏好

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摘要

Aesthetic psychology has discussed many aspects of aesthetic preferences for spatial composition. However, there have been few empirical explorations of the spatial composition of traditional Chinese paintings. The results of this experiment showed that the shape of the frame had a significant effect on aesthetic preferences. Participants preferred to put two figures at certain relative horizontal distances from each other according to the horizontal shape of the frame but may have difficulty in adapting the relative vertical distance according to the vertical shape of the frame. Furthermore, the unique aesthetic interest of traditional Chinese long-vertical scroll paintings was discussed. This discussion revealed that, in a creative way, ancient Chinese artists followed the same aesthetic principles we observed, and they developed the artistic conception and romantic charm of traditional Chinese paintings.
机译:审美心理学已经讨论了空间构成的审美偏好的许多方面。但是,很少有关于中国传统绘画空间构成的经验探索。该实验的结果表明,框架的形状对美学偏好具有显着影响。参与者优选根据框架的水平形状将两个图形放置在彼此相对的一定水平距离处,但是可能难以根据框架的垂直形状来适应相对垂直距离。此外,还讨论了中国传统长轴画的独特审美趣味。讨论发现,中国古代画家以一种创造性的方式遵循了我们观察到的相同美学原则,并发展了中国传统绘画的意境和浪漫魅力。

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