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Aesthetic Preferences for Eastern and Western Traditional Visual Art: Identity Matters

机译:东西方传统视觉艺术的审美偏好:身份问题

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Western and Chinese artists have different traditions in representing the world in their paintings. While Western artists start since the Renaissance to represent the world with a central perspective and focus on salient objects in a scene, Chinese artists concentrate on context information in their paintings, mainly before the mid-19th century. We investigated whether the different typical representations influence the aesthetic preference for traditional Chinese and Western paintings in the different cultural groups. Traditional Chinese and Western paintings were presented randomly for an aesthetic evaluation to Chinese and Western participants. Both Chinese and Western paintings included two categories: landscapes and people in different scenes. Results showed a significant interaction between the source of the painting and the cultural group. For Chinese and Western paintings, a reversed pattern of aesthetic preference was observed: while Chinese participants gave higher aesthetic scores to traditional Chinese paintings than to Western paintings, Western participants tended to give higher aesthetic scores to traditional Western paintings than to Chinese paintings. We interpret this observation as indicator that personal identity is supported and enriched within cultural belongingness. Another important finding was that landscapes were more preferable than people in a scene across different cultural groups indicating a universal principle of preferences for landscapes. Thus, our results suggest that, on the one hand, the way that artists represent the world in their paintings influences the way that culturally embedded viewers perceive and appreciate paintings, but on the other hand, independent of the cultural background, anthropological universals are disclosed by the preference of landscapes.
机译:西方和中国艺术家在绘画中代表世界具有不同的传统。自文艺复兴以来,西方艺术家开始以中心视角代表世界,并着重于场景中的显着物体,而中国艺术家则主要在19世纪中叶之前集中于绘画中的背景信息。我们调查了不同的典型表现形式是否会影响不同文化群体对中国传统绘画和西方绘画的审美偏好。随机赠送中西绘画作品,以评价中西参与者。中西方绘画都包括两类:风景和不同场景的人。结果表明,绘画的来源与文化群体之间存在显着的相互作用。对于中西方绘画,观察到了一种相反的审美偏好模式:尽管中国参与者对中国传统绘画的审美得分高于西方绘画,但西方参与者对西方传统绘画的审美得分往往高于中国绘画。我们将此观察解释为表明个人身份在文化归属感中得到支持和丰富的指示。另一个重要发现是,在不同文化群体的场景中,景观比人更可取,这表明人们普遍喜欢景观。因此,我们的研究结果表明,一方面,艺术家在其绘画中表现世界的方式影响着文化嵌入的观众对绘画的欣赏和欣赏方式,但另一方面,与文化背景无关,人类学普世性被揭示出来。依风景而定。

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