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Challenges Associated with the Content of the Art History Component in the General Knowledge in Art Subject: Implications for Art History Education in West Africa

机译:艺术学科常识中与艺术史部分内容相关的挑战:对西非艺术史教育的启示

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The content of the Art History component in the General Knowledge in Art subject studied by various Senior High Schools in West Africa is largely of foreign art histories at the expense of the histories of African indigenous arts which are shallowly presented in the teaching syllabus to be taught students. This makes the students appreciate more of the artistic cultural heritage of foreign countries making them handicapped in the historical knowledge concerning their own rich African indigenous arts that identifies them as a people. Adentwi (2005) concurs that the content of an area of study must help learners to develop skills, values, norms, and attitudes that are considered peculiar to the society of the learner. A critical analysis of the content of the General Knowledge in Art subject proves contrary. There was therefore the urgency and utmost relevance to carry out a research to ascertain reasons why the content of the art history component of the General Knowledge in Art subject is foreign biased and advise on how there can be a balance of it with the African indigenous art histories in the General Knowledge in Art. The researcher gathered data from primary and secondary sources by way of interviews, administration of questionnaire, as well as non-participant observation under the theoretical and qualitative research approaches. Descriptive research method, Case Study approach and Document Analysis were adopted for this study. Eighty-Five respondents consisting of General Knowledge in Art tutors and General knowledge in Art students from five schools in the Ashanti region, Eastern Region and Greater Accra Region and W.A.E.C. Examiners as well as members of the Curriculum Research Development Division of the Ministry of Education were purposively and stratified Randomly sampled for the study. The study maintains that the content of the art history component of the General Knowledge in Art subject has to be reviewed by incorporating more of the histories of the indigenous Art from Africa. It puts forward proactive suggestions to the Curriculum and Research Development Division of various Educational Centers and other agencies responsible for making educational decisions on how they can intensify the study of African indigenous art histories in the General Knowledge in Art subject. This would greatly assist in the promotion, propagation, preservation and instruction of West African students on the indigenous African Art histories.
机译:西非各高中研究的“艺术常识”中“艺术史”部分的内容主要是外国艺术史,而非洲非洲土著艺术史则在教学大纲中浅述。学生们。这使学生更加欣赏外国的艺术文化底蕴,使他们无法获得与自己丰富的非洲土著艺术有关的历史知识,从而使他们成为一个民族。 Adentwi(2005)同意研究领域的内容必须帮助学习者发展被认为是学习者社会所特有的技能,价值观,规范和态度。对艺术常识学科内容的批判性分析证明是相反的。因此,进行研究以查明为什么艺术常识学科的艺术史部分的内容受到外国偏见的原因是紧迫而紧迫的,并就如何与非洲土著艺术保持平衡提出建议。艺术常识中的历史。在理论和定性研究方法下,研究人员通过访谈,问卷管理以及非参与者观察的方式从主要和次要来源收集数据。本研究采用描述性研究方法,案例研究方法和文献分析方法。来自阿散蒂地区,东部地区和大阿克拉地区以及华盛顿特区的五所学校的八十五名受访者包括美术导师和美术学生的常识。目的和教育部课程研究发展司的成员是有目的和分层的随机抽样进行研究。该研究认为,必须通过纳入更多来自非洲的土著艺术史来审查“艺术常识”科目的艺术史部分的内容。它向各个教育中心的课程和研究发展部以及其他负责做出教育决策的机构提出了积极建议,以帮助他们加强对艺术领域的常识的非洲土著艺术史的研究。这将极大地促进,促进,传播和保存西非学生的非洲土著艺术史。

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