首页> 外文期刊>Journal of Asian architecture and building engineering >Inner Space in the City: Jose Luis Sert, Fumihiko Maki and Kyu Seung Woo′s Search for Inner Space
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Inner Space in the City: Jose Luis Sert, Fumihiko Maki and Kyu Seung Woo′s Search for Inner Space

机译:城市的内部空间:何塞·路易斯·塞特,文木文彦和圭成宇在寻找内部空间

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Architects Jose Luis Sert, Fumihiko Maki, and Kyu Seung Woo have more in common than that they came from the high-density cities of Barcelona, Tokyo, and Seoul, respectively. They were all involved in the Harvard Urban Design program: Sert as a teacher (1953~1969), Maki as a student (1953~1954), and Woo as a student (1967~1970) and as an architectural designer in Sert′s office (1971~1974). Their works and thoughts emphasize the enhancement of public space that is congenial to the existing urban structure. The problem they faced was the debacle of master planning practice, and the solution they offered was an alternative design solution to the existing gridiron pattern of cities. This paper will posit ″inner public space″ as an alternative to the failure of Corbusian master planning practice. The term ″inner space″ derives from Maki′s notion of deep space in traditional Japanese towns. According to him, an inner space does not show up obviously as a space with ample light, and is less visible than a central space. Rather than the unpopular center of town, the most visited entrance or deepest place could be an inner space that fosters a historical and symbolic narrative of a town. The location of inner space in a town could be unrecognizable from a geographical map, but show up in the minds of people, or through talks with people in town. Sert, Maki, and Woo pursued inner space in different ways, according to the site situation. Well-designed inner space sustains site use, and adds historical and symbolic narratives through generating culturally appropriate activities to a natural place. The best work of each architect, 44 Brattle Street Building by Sert in Cambridge, Hillside Terrace by Maki in Tokyo, and Olympic Town by Woo in Seoul, attest to the cultural sustainability made possible by the performance of inner space.
机译:建筑师Jose Luis Sert,Fumihiko Maki和Kyu Seung Woo有很多共同点,而不是分别来自巴塞罗那,东京和首尔等高密度城市。他们都参与了哈佛城市设计计划:作为老师的Sert(1953〜1969),作为学生的Maki(1953〜1954)和作为学生的Woo(1967〜1970)以及作为Sert's的建筑设计师。办公室(1971〜1974)。他们的工作和思想强调加强与现有城市结构相适应的公共空间。他们面临的问题是总体规划实践的崩溃,他们提供的解决方案是现有的城市铁板建筑模式的替代设计解决方案。本文将提出“内部公共空间”,以替代Corbusian总体规划实践的失败。 “内部空间”一词源于Maki在日本传统城镇中的深空概念。根据他的说法,内部空间不会明显显示为具有充足光线的空间,并且不如中央空间可见。而不是受欢迎的城镇中心,访问量最大的入口或最深处可能是一个内部空间,可以培养城镇的历史和象征意义。城镇内部空间的位置可能无法从地理地图中识别出来,但会显示在人们的脑海中,或者通过与城镇中的人们的交谈而出现。 Sert,Maki和Woo根据现场情况以不同的方式追求内部空间。精心设计的内部空间可维持场地使用,并通过在自然环境中进行文化上适当的活动来增加历史和象征性的叙述。每位建筑师的最佳作品,分别是剑桥Sert的Brattle街44号大楼,东京Maki的 Hillside Terrace以及首尔Woo的 Olympic Town的最佳作品,证明了表演带来的文化可持续性内部空间。

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