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Wittgenstein: estética e filosofia, Artistas e filósofos

机译:维特根斯坦:美学和哲学,艺术家和哲学家

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The aesthetic analysis made by Wittgenstein is not restricted to the merely theoretical field, given that what the author shows is the pragmatic dimension of the art, in which the aesthetic expression finds its place. In this perspective, that avoids the positivist appeal of emphasizing the art casual aspect and the reaction from the subject that contemplates it, Wittgenstein brings together the aesthetic procedure and the philosophical activity, putting them at the same level, at the same time in which he shows how important is to adopt the artist’s procedure to the philosopher. Only with this movement it’s possible to solve all the problems that afflict the philosophy over the tradition. The aesthetic activity is characterized by the descriptive method of the expressions that the art (and the world at large) cause the subject. It is, therefore, the appropriate behavior that brings, as a consequence, the act of overcoming the aesthetic enigmas. The research heads toward to the gestures, to the way people react to the contact with a work of art, because, according to Wittgenstein, the human body is the best image of the human soul, which doesn’t allow errors. To understand the reason, the reason of a determined reaction, is an efficient way to solve such enigmas. In short, the gesture is, according to Wittgenstein, the expression that communicates in a categorical way an impression, which can’t be verbalized correctly. That said, it’s important to note that, extending the aesthetic analysis and applying it at the philosophical activity, it’s possible to conclude that philosophy itself can be understood as a gesture that express the philosopher thought. The thinker from Vienna draws attention to this way of resolving the aesthetic enigmas and states that it is hugely important to the philosophy. This is the point which allows to bring aesthetic and philosophy closer, artists and philosophers, because the real work of art, that is a aesthetic manifestation, contributes to modify the way the world is seen, the same way the philosophical activity does.
机译:鉴于作者所表现出的是艺术的务实维度,在美学表达中找到了自己的位置,维特根斯坦(Wittgenstein)进行的美学分析并不仅限于理论领域。在这种观点下,维特根斯坦避免了强调艺术休闲方面的积极主义呼吁以及来自对其进行思考的主题的反应,维特根斯坦将审美程序和哲学活动结合在一起,将它们置于同一水平,同时又将其置于同一水平。说明采用艺术家的程序对哲学家有多重要。只有通过这一运动,才有可能解决困扰传统哲学的所有问题。审美活动的特征是艺术(乃至整个世界)引起主题的表达方式的描述。因此,正是适当的行为带来了克服审美之谜的举动。研究朝着手势,人们对与艺术品的接触做出反应的方式进行,因为根据维特根斯坦的说法,人体是人类灵魂的最佳形象,不允许出现错误。要了解原因,即确定反应的原因,是解决此类难题的有效方法。简而言之,根据维特根斯坦的说法,手势是一种表达方式,它以明显的方式传达一种印象,而这种印象无法正确地表达出来。也就是说,需要注意的是,扩展美学分析并将其应用于哲学活动中,有可能得出结论,哲学本身可以理解为表达哲学家思想的一种姿态。维也纳的思想家提请人们注意这种解决美学难题的方法,并指出这对哲学非常重要。这是使美学和哲学,艺术家和哲学家之间更加接近的一点,因为艺术品的真正表现,即美学表现,与哲学活动一样,都在改变人们看待世界的方式。

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