首页> 外文期刊>REAd. Revista Eletrnica de Administrao (Porto Alegre) >BETWEEN THE OBLIGATION AND THE PLEASURE TO CREATE: A PSYCHODYNAMIC ANALYSIS OF PLEASURE-SUFFERING IN ARTISTIC WORKENTRE LA OBLIGACIóN Y EL PLACER DE CREAR: UN ANáLISIS PSICODINáMICO DEL PLACER-SUFRIMIENTO EN EL TRABAJO ARTíSTICO
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BETWEEN THE OBLIGATION AND THE PLEASURE TO CREATE: A PSYCHODYNAMIC ANALYSIS OF PLEASURE-SUFFERING IN ARTISTIC WORKENTRE LA OBLIGACIóN Y EL PLACER DE CREAR: UN ANáLISIS PSICODINáMICO DEL PLACER-SUFRIMIENTO EN EL TRABAJO ARTíSTICO

机译:义务与创造之间的愉悦:艺术作品中的痛苦与愉悦感的心理分析:艺术作品中享受与愉悦之间的心理感悟

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In today's debates, the artist has been considered as a possible worker of the future, an intrinsically motivated subject. However, we observe that this perspective of analysis conceives art and art activity in a romanticized way and tends to mask the real conditions of such work activity. In view of the above, we have developed a study with the purpose of understanding and analyzing the possible relationships between the artistic work context in the region of Florianópolis, and experiences of pleasure and suffering of the workers included in it, considering the process of commodification of culture. For this, we use as theoretical framework of the Psychodynamics of Work. Participated in this research, which occurred between September and December 2016, four artists working in the region of Greater Florianópolis. After delimiting the participants, we performed with each subject, three individual semi-structured interviews in depth and observations of their work routines. The interviews were recorded, transcribed and submitted to the analysis of thematic categorical content proposed by Bardin (2016). We conclude that the context of artistic work can enable both the experiencing of pleasure and suffering to the artist. However, we observe a possibility of intensification of suffering at work, influenced by the greater approximation of artists to the marketing logic.
机译:在今天的辩论中,艺术家被认为是未来的可能工作者,这是内在动机的主题。但是,我们观察到,这种分析视角以浪漫的方式构思了艺术和艺术活动,并倾向于掩盖这种工作活动的真实条件。鉴于上述情况,我们进行了一项研究,旨在理解和分析弗洛里亚诺波利斯地区的艺术作品情境与其中包括的工人的愉悦和痛苦经历之间的可能关系,并考虑到商品化的过程。文化。为此,我们将其用作工作心理动力学的理论框架。参加了这项研究,该研究于2016年9月至12月进行,四位艺术家在大弗洛里亚诺波利斯地区工作。在划定参与者的界限之后,我们对每个主题进行了三个单独的半结构化访谈,并对他们的工作惯例进行了深入观察。访谈记录,转录并提交给Bardin(2016)提出的主题分类内容分析。我们得出的结论是,艺术作品的背景可以使艺术家既能体验愉悦又能遭受痛苦。但是,我们发现,受艺术家更接近营销逻辑的影响,工作中遭受苦难加剧的可能性。

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