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Volkskuns en fin de siêcle: Perspektiewe op parallelle tendense in die Vlaamse en Afrikaanse prosa

机译:民间艺术与艺术:佛兰芒语和南非荷兰语散文的平行趋势透视

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In nineteenth century Europe, the fin de siécle was in a literary sense characterized by the aesthetic cult, Symbolism , and a decadent mood . However, the traditional historians of Flemish and Afrikaans literature accentuate the mild romanticism and realism as typical of what have since become, for a corresponding period (± 1895-1925), in both those literatures their canonized texts. Literary history also identifies in Flemish and Afrikaans prose a definite striving towards a ‘national' literature, thus reflecting the nationalistic political and cultural movements of those early times. This article focusses on a few, but interesting deviations from that established pattern. It reveals that, especially in works of prose written by surprisingly many of those authors (who were often identified with a ‘national' cause), some marked tendencies of the decadent fin de siêcle are clearly present. A contextual rereading of these texts - which even now are either completely under-estimated or ignored by conventional literary history - may bring about a re-evaluation of the existing canon of early Flemish and Afrikaans prose.
机译:在19世纪的欧洲,finsiécle在文学意义上具有美学崇拜,象征主义和a废的情绪。然而,佛兰芒语和南非荷兰语文学的传统历史学家强调了温和的浪漫主义和现实主义,这是自那时以来在这两种文学中都成为其经典书籍的典型特征(±1895-1925)。文学史在佛兰德语和南非荷兰语散文中也确定了对“民族”文学的明确努力,从而反映了早期的民族主义政治和文化运动。本文着重于与既定模式的一些但有趣的偏差。它揭示出,特别是在由许多这样的作者(经常被认定为“民族”原因的作者)撰写的散文作品中,显然存在着decade废的最终倾向。对这些文本进行上下文重读(即使是现在,这些文本仍被传统文学史完全低估或忽略了),可能会导致对佛兰德早期和南非荷兰语散文的现有经典重新评估。

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