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Umberto Eco's The Prague cemetery : A game of double co-incidence

机译:Umberto Eco的布拉格公墓:双重重合游戏

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Although classified as a literary novel with a fictional plot, The Prague cemetery is crammed with historical information on 19th century Europe, with the focus on the rise of anti-Semitism during this period. The overwhelming amount of data has been criticised as distracting from the plot and creating difficulty for the reader in making sense of the storyline. This article examines the role of the reader in deciphering the twisting of historic events and fiction in The Prague cemetery, that is, a literary text packed tight with historical data intertwined with a fictional story, loaded with signs, symbols and hidden meanings that have to be decoded. It is demonstrated, firstly, that a Model Reader with encyclopaedic knowledge will be able to decode the hidden meanings in the text; secondly, that the nonmodel, or empirical reader, who does not actualise all of the meaning content, will not be hindered in his understanding of the story and thirdly, that the author's intentions will duly be accomplished.
机译:布拉格公墓虽然被归类为具有虚构情节的文学小说,却充斥着19世纪欧洲的历史信息,其重点是这一时期反犹太主义的兴起。大量的数据被批评为分散了情节并给读者增加了理解故事情节的难度。本文探讨了读者在解读布拉格公墓中的历史事件和小说的扭曲方面的作用,即,文学文本中紧紧包裹着虚构的故事的历史数据,上面充斥着标志,符号和隐藏的含义,被解码。首先证明了,具有百科知识的模型阅读器将能够解码文本中的隐藏含义。第二,没有实现所有意义内容的非模范或经验读者不会妨碍他对故事的理解,第三,作者的意图将得到适当实现。

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