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Stromings, sosiokodes en representasies

机译:潮流,社会守则和代表

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In this article the concept of the sociocode, as described and used by Fokkema (1984), is used to describe the characteristic way of representation in modernist texts. Representation in literature is explained as the result of a specific set of perceptions which are individually as well culturally determined. From the discussion of the sociocode of Modernism, the conclusion is made that modernist texts do not represent; these texts are presentations, they are primarily concerned with their own ontology. In conclusion the similarities between Modernism as a literary movement in Western Europe and the work of the Sestigers in Afrikaans are indicated. It is suggested that these similarities should be investigated in more detail.
机译:在本文中,Fokkema(1984)所描述和使用的社会密码概念被用来描述现代主义文本中的典型表示方式。文献中的代表性被解释为一组特定的看法的结果,这些看法分别根据文化来确定。通过对现代主义社会规范的讨论,可以得出结论,现代主义文本并不代表现代文本。这些文本是演示文稿,它们主要与自己的本体有关。总之,表明了现代主义作为西欧的文学运动与塞斯蒂格人在南非荷兰语中的工作之间的相似之处。建议对这些相似之处进行更详细的研究。

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