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Die struktuur van die tekskode: die strukturele organisasie van 'Die jonkmanskas' van Koos Prinsloo

机译:文本代码的结构:Koos Prinsloo的“ Die jonkmanskas”的结构组织

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A unique quality of literature is that the text system is not just an instrument for conveying a literary message; the structure of the system is in itself meaningful. This article will closely examine the structural organisation and the functional significance of Koos Prinsloo's short story “Die Jonkmanskas” . “Die jonkmanskas” is a story with a complex structure, written in the postmodernist idiom, and originated from three distinct stories. These embedded stories simultaneously work as commentaries, parodies and corrective devices, so that the ultimate interpretation of “Die jonkmanskas” is also determined through its structural code. An important aspect of this short story, which is highlighted by the structural code, is the interaction between the author's text, the narrator's text and the character's text. In this [pseudo] autobiography the distinction between the actual author, the abstract author and the narrator is gradually erased, because time and again the narrator changes his role from character to narrator to author.
机译:文学的独特品质在于,文本系统不仅是传达文学信息的工具,更是文学的工具。系统的结构本身是有意义的。本文将仔细研究Koos Prinsloo的短篇小说“ Die Jonkmanskas”的结构组织和功能意义。 《亡命徒》是一个结构复杂的故事,以后现代习语编写,起源于三个不同的故事。这些嵌入的故事同时用作注释,模仿和纠正手段,因此对“ Die jonkmanskas”的最终解释也取决于其结构代码。该短篇小说的一个重要方面(由结构代码突出)是作者的文本,讲述者的文本和角色的文本之间的交互。在这种伪自传中,逐渐消除了实际作者,抽象作者和叙述者之间的区别,因为叙述者一次又一次地将其角色从角色变为叙述者再到作者。

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