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A Reading of Interpretative Models of Minimalism in Architecture

机译:对建筑中极简主义解释模型的解读

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In architectural discourse, outside of the context of Frankfurt existentialminimum,(1) the term minimalism appears in the second half of the 70s.Articles of professional journals and chapters of editions used the termto describe morphological aspects of the works of individual or morearchitects. Being a minimalist, in common sense supposed architecture ofprimary and simple - minimal geometric forms. Formal orientation of thencurrent Legorreta, Kahn and Ando, was determined as minimalism (Smith,1976; Bonnefoi, 1979; Taki, 1984). Leading historians, during the 80s, alsosporadically use the term in monographic reviews of modern architecture.Jencks (1982; 1987) does it when he speaks of reviving of purism in theworks of the New York Five and ascetic style of fundamental Platonicforms of neorationalist Rossi and Ungers. In a similar way, Curtis (1982)comments on the cold abstraction and strict minimalist tendencies inScandinavian architecture
机译:在建筑论述中,在极简主义存在的法兰克福语境之外,(1)极简主义出现在70年代后半期。专业期刊的文章和各版本的章节都用术语来描述单个或更多建筑师作品的形态方面。作为一个极简主义者,在常识上应该是主要和简单的建筑-最小的几何形式。当时的Legorreta,Kahn和Ando的形式取向被确定为极简主义(Smith,1976; Bonnefoi,1979; Taki,1984)。 80年代的主要历史学家也曾在现代建筑的专论评论中偶尔使用该术语。詹克斯(Jencks(1982; 1987))在谈到纽约五世的作品中的纯粹主义复兴以及新理性主义者罗西(Rossi)和波西米亚(Rossi)的基本柏拉图式的禁欲主义风格时就使用了该术语。昂热。 Curtis(1982)以类似的方式评论了斯堪的纳维亚建筑的冷抽象和严格的极简主义倾向

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