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Australian Rock Art in the Expanded Field: History, Meaning, and Contemporary Context

机译:扩展领域中的澳大利亚摇滚艺术:历史,意义和当代语境

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Compared with the prehistoric parietal art of Europe, Australian Aboriginal rockart is little known in art historical contexts, despite that fact that many of theseworks are older, more dynamic, and more sophisticated. More than the lanewaysof inner-city streets, much of the Australian landscape is literally layered with art.There are thousands of rock art sites recorded in Australia and perhaps an equalnumber that have been forgotten or destroyed. New galleries and cathedrals ofcolour are regularly reported in the popular press. Yet the status of rock art inAustralian art history, like much of the rest of Indigenous art production, isunder-researched and poorly conceptualised within the discipline. To address this,we devised a panel session for the Art Association of Australia and NewZealand’s 2017 annual conference, at the University of Western Australia, uponwhich this special issue is based. The responses we received were curated intotwo parallel interdisciplinary sessions, each of which had an artist, an art historianand an archaeologist.
机译:与欧洲史前壁画相比,澳大利亚原住民摇滚艺术在艺术历史背景下鲜为人知,尽管事实上这些作品中的许多作品都年代久远,更具活力和更加精致。澳大利亚的大部分景观都比城市街道的行车道更为复杂,实际上是在艺术上分层的。澳大利亚记录了成千上万的岩石艺术遗址,也许已经被遗忘或破坏的数量相等。大众媒体定期报道新的彩色画廊和大教堂。然而,岩石艺术在澳大利亚艺术史中的地位,与其他大部分土著艺术作品一样,在该学科中也受到研究不足和概念化。为了解决这个问题,我们在西澳大利亚大学为澳大利亚艺术协会和新西兰的2017年年会设计了一个小组会议,以此为基础。我们收到的反馈分为两个平行的跨学科会议,每个会议都有一名艺术家,一位艺术史学家和一名考古学家。

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