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Function and Form: Shifts in Modernist Architects’ Design Thinking

机译:功能和形式:现代主义建筑师设计思想的转变

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Since the so-called “type-debate” at the 1914 Werkbund Exhibition in Cologne—on individual versus standardized types—the discussion about turning Function into Form has been an important topic in Architectural Theory. The aim of this article is to trace the historic shifts in the relationship between Function and Form: First, how Functional Thinking was turned into an Art Form; this orginates in the Werkbund concept of artistic refinement of industrial production. Second, how Functional Analysis was applied to design and production processes, focused on certain aspects, such as economic management or floor plan design. Third, how Architectural Function was used as a social or political argument; this is of particular interest during the interwar years. A comparison of theses different aspects of the relationship between Function and Form reveals that it has undergone fundamental shifts—from Art to Science and Politics—that are tied to historic developments. It is interesting to note that this happens in a short period of time in the first half of the 20th Century. Looking at these historic shifts not only sheds new light on the creative process in Modern Architecture, this may also serve as a stepstone towards a new rethinking of Function and Form.
机译:自从1914年在科隆举行的Werkbund展览上进行所谓的“类型辩论”(关于个体类型还是标准类型)以来,关于将功能转变为形式的讨论一直是建筑理论中的重要主题。本文的目的是追溯功能与形式之间关系的历史性转变:首先,如何将功能性思维转变为一种艺术形式;这源于Werkbund对工业生产的艺术改良的概念。其次,功能分析如何应用于设计和生产过程,重点放在某些方面,例如经济管理或平面图设计。第三,如何将建筑功能用作社会或政治论点;在两次世界大战期间,这尤其令人感兴趣。对功能与形式之间关系的这些不同方面的比较表明,它经历了与历史发展相关的从艺术到科学和政治的根本转变。有趣的是,这种情况发生在20世纪上半叶。审视这些历史性变化,不仅为现代建筑的创作过程提供了新的思路,也可能成为重新思考功能和形式的基础。

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