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Evolution of representation of the hands in plastic arts

机译:造型艺术中手的表示的演变

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The interaction between art and science was high during the Renaissance and it declined later to return significantly in the 20th century, mainly with the use of identification techniques, dating of art works and the development of new materials. The relationship between plastic arts and hand surgery is intense and artistic reproductions of hands are frequent in the illustration of scientific texts. With the objective of understanding the role of the hand in plastic arts, reproductions of works of art (sculptures and paintings) representative of several periods or styles in the history of art were analyzed emphasizing the study of the hands. Anatomical details, relationship with other structures of the human body, role in the composition and symbolic aspects of the hands were studied in historical and artistic contexts of art works in the Paleolithic period (pre-history) until the 20th century. The representation of the hands in plastic arts is directly related to the style or period of the work and to the individual ability of interpretation and execution by the artist.
机译:在文艺复兴时期,艺术与科学之间的互动非常活跃,后来又下降,直到20世纪才大为恢复,主要是通过使用识别技术,艺术作品的年代确定和新材料的开发。造型艺术与手外科手术之间的关系十分密切,在科学文献的插图中,手的艺术复制品也很常见。为了理解手在造型艺术中的作用,对代表艺术史上几个时期或风格的艺术品(雕塑和绘画)的复制品进行了分析,强调了对手的研究。在旧石器时代(史前)至20世纪的艺术作品的历史和艺术语境中,研究了解剖学细节,与人体其他结构的关系,在手的组成和符号方面的作用。造型艺术中的手的表现与作品的风格或时期直接相关,与艺术家的个人解释和执行能力直接相关。

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