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Discursive Construction of Art as a Subject of Politics: Selected Notes on Polish Aesthetic Thought

机译:作为政治学主题的艺术的话语建构:波兰美学思想选集

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The study seeks to capture and explore the dynamic relationship between aesthetics and broadly understood politics as a cultural phenomenon. The entanglement of art in sociopolitical contexts (“politicization of art”) is discussed from the institutional perspective (development of Marxist thought in Poland after 1945) and within the domain of social activity – the structure of the ordinary (realization of aesthetic postulates of Marxism). The main objective is thus to analyze the effect of Marxism on the twentieth-century aesthetics in Poland with a special emphasis on the postwar period (after 1945), when the basic patterns of that school of thinking took shape. The main focus is on the approach to the Marxist concept found in the theory of Polish Socialist realism. The analysis also involves reflections on the reduction of Marxism to the ideology of Socialist realism and the ideology of art which is associated with it.
机译:该研究旨在捕捉和探索美学与作为一种文化现象的广泛理解的政治之间的动态关系。从制度的角度(1945年后波兰的马克思主义思想的发展)和社会活动范围内的社会活动-普通的结构(实现马克思主义的美学假设的实现)中讨论了艺术在社会政治环境中的纠缠(“艺术政治化”)。 )。因此,主要目的是分析马克思主义对波兰20世纪美学的影响,并特别强调战后时期(1945年之后),当时该思想流派的基本模式已经形成。主要重点是波兰社会主义现实主义理论中发现的马克思主义概念的方法。分析还涉及对马克思主义沦为社会主义现实主义意识形态和与其相关的艺术意识形态的思考。

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