摘要:Many museums have positioned themselves as public centers of cultural production, interpretation, dissemination and experience. “Life Aesthetics of Jiangnan: Qin, Chess, Calligraphy, Painting, Poetry, Wine, Flower, Tea and Incense”, as an overseas itinerant exhibition project curated on the above perception, explored and interpreted the historical implications of life aesthetics of the Jiangnan region from the perspective of symbols with innovative and pluralistic thinking, and selected exhibits with manifold time consideration with a focus on interaction and communication at the exhibition site and audience experience.