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Origin and the evolution of Sri Lankan Buddha image independent of the Indian prototype.

机译:独立于印度原型的斯里兰卡佛像的起源和演变。

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摘要

This dissertation focuses to examine the independent origin and the evolution of the Sri Lankan Buddha image of its Indian prototype.;The scholars studying the development of the Buddha image in the Indian sub-continent assume that it was originated in India from the aniconic form to the anthropomorphic form during the period of Kushans in the first century CE, and influenced the origin and evolution of the Buddha image in neighboring regions, in that, Sri Lanka was not an exception.;Contrary to this assumption, there are sufficient facts and evidence that testify to the independent evolution of the Sri Lankan Buddha image from at least second century BCE, despite the fact that Buddhism was introduced to the country from India. Literary and archaeological evidence has been analyzed in detail to ascertain which theory is acceptable. In addition, the vast number of images found from various locations in Sri Lanka demonstrates indigenous iconographical and iconometric characteristics to establish that Sri Lankan Buddha image originated and evolved independently of Indian prototypes.;Although, the scholars have highlighted the authentic nature of the Sri Lankan Buddha image, none of them have attempted to conduct a detailed examination, and, as a result, have concluded that the Sri Lankan Buddha images was an influential outcome of those of India, simply underlining the constant socio-cultural and political relationships between India and Sri Lanka.;The questions of how, when, and where it was originated is to be addressed alone, the present study, thus, aims to examine the constantly highlighted authentic characteristics of the Sri Lankan Buddha image without prejudice, to identify its independent evolution.
机译:本文主要研究了斯里兰卡佛像在印度原型中的独立起源和演变。研究印度次大陆佛像发展的学者认为,佛像起源于印度的反语形式。公元一世纪的库山时期的拟人化形式影响了邻国佛像的起源和演化,斯里兰卡也不例外。与这一假设相反,有充分的事实和证据尽管佛教是从印度传入斯里兰卡的,但这证明了至少从公元前二世纪斯里兰卡佛像的独立发展。已经详细分析了文学和考古证据,以确定哪种理论可以接受。此外,从斯里兰卡各地发现的大量图像都显示出本土的图像和图像特征,从而证明斯里兰卡佛像是独立于印度原型而起源和发展的;尽管学者们强调了斯里兰卡的真实性。佛像,他们都没有尝试进行详细的检查,因此得出的结论是,斯里兰卡佛像是印度的有影响力的产物,只是强调了印度与印度之间持续的社会文化和政治关系。因此,本研究旨在单独探讨如何,何时以及在何处起源的问题,因此旨在检验斯里兰卡佛像不断强调的真实特征,而不会产生偏见,以识别其独立演化。 。

著录项

  • 作者

    Narangoda, Prashanthi.;

  • 作者单位

    University of the West.;

  • 授予单位 University of the West.;
  • 学科 Religion History of.;Anthropology Archaeology.;Art History.;South Asian Studies.
  • 学位 Ph.D.
  • 年度 2012
  • 页码 560 p.
  • 总页数 560
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 工程基础科学;
  • 关键词

  • 入库时间 2022-08-17 11:43:20

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