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Pagans and Satan and Goths, oh my: dark leisure as communicative agency and communal identity on the fringes of the modern Goth scene

机译:异教徒,撒旦和哥特人,哦,我的天哪:在现代哥特人视野的边缘,黑暗的休闲作为交往中介和社区身份

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Goth music's cultural terrain has been extensively mapped in the first decade of this century. Through a dark leisure framework, the present article examines the way in which parts of the Goth scene embraced paganism and, latterly, Satanism, as actual practices and ontologies of belief. Ethnographic research and case studies on paganism and Satanism in Goth subcultures are used. This paper argues that being a pagan or Satanist in the fringes of the Goth scene is a way of using dark leisure to resist, usefully and meaningfully, the fashionable but instrumental globalised choice of mainstream popular culture.View full textDownload full textKeywordsdark leisure, subcultures, GothsRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; var addthis_config = {"data_track_addressbar":true,"ui_click":true}; Add to shortlist Link Permalink http://dx.doi.org/10.1080/04419057.2012.720585
机译:哥特音乐的文化地形在本世纪前十年已被广泛绘制。通过一个黑暗的休闲框架,本文探讨了哥特场景中某些部分接受异教和后来的撒旦主义作为信仰的实际实践和本体论的方式。在哥特亚文化中,使用了关于异教和撒旦教的人种学研究和案例研究。本文认为,在哥特风潮边缘成为异教徒或撒旦教徒是一种利用黑暗休闲来有用,有意义地抵抗主流流行文化的时尚但有工具的全球化选择的方式。查看全文下载全文关键字黑暗休闲,亚文化, GothsRelated var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”}; var addthis_config = {“ data_track_addressbar”:true,“ ui_click”:true};添加到候选列表链接永久链接http://dx.doi.org/10.1080/04419057.2012.720585

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