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Personal photography, digital technologies and the uses of the visual

机译:个人摄影,数字技术和视觉用途

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Photography has been a wildly successful consumer technology. The shift from film to digital has, if anything, increased both photographic activity and enthusiasm on the part of photographers, viewers and subjects. In this article, I address empirically and theoretically the practical doing of ordinary, daily photography as it has moved from film to digital. I describe findings from my own empirical work over several years with a wide range of people engaged in both film and digital photographic technologies, including camera-phones and online image-sharing. Current developments in digital image-related technologies are changing the publicness, temporality and volume of personal photographic images. I describe personal photography as, in effect, multiple, overlapping technologies: of memory; relationships; self-representation; and self expression, all of which are changing in the digital environment. I draw on science and technology studies (STS) for help in understanding photography as an on-going practice of assemblage and performance, and the changes in photographic technologies as an opportunity to see technology-in-the-making - the activities by which people are reproducing sociomaterial relations. In this view, photographs have agency as they a??take the relaya?? across space and time. With digital technology we see shifts in the assemblages of objects, practices and meanings that we call personal photography, some of which may be more welcome than others. In particular, personal photographs may be becoming more public and transitory, less private and durable and more effective as objects of communication than of memory.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; var addthis_config = {"data_track_addressbar":true,"ui_click":true}; Add to shortlist Link Permalink http://dx.doi.org/10.1080/1472586X.2011.571888
机译:摄影是一种非常成功的消费技术。从电影到数字的转变,如果有的话,既增加了摄影活动,又增加了摄影师,观众和被摄对象的热情。在本文中,我从经验和理论上阐述了普通的日常摄影从胶片到数码的发展过程。我描述了我多年来的经验工作中发现的发现,这些发现涉及了许多从事胶片和数字摄影技术的人,包括照相电话和在线图像共享。数字图像相关技术的当前发展正在改变个人摄影图像的公开性,时间性和数量。我将个人摄影描述为实际上是多种重叠的技术:关系;自我表现;和自我表达,所有这些在数字环境中都在变化。我将利用科学技术研究(STS)来帮助您将摄影理解为一种不断进行的组合和表演实践,并将摄影技术的变化作为一种​​机会,以了解制造中的技术-人们所从事的活动正在再现社会物质关系。在这种观点下,照片具有“拍摄中继”的作用。跨越时空借助数字技术,我们看到了称为个人摄影的对象,做法和含义的组合发生了变化,其中有些可能比其他一些受到更多欢迎。特别是,个人照片可能正在变得比公共场所更短暂,更不公开,更不耐用,更不易使用,并且可以更有效地用作通讯对象。查看全文下载全文相关变量var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,service_compact: ,netvibes,twitter,technorati,可口,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”}; var addthis_config = {“ data_track_addressbar”:true,“ ui_click”:true};添加到候选列表链接永久链接http://dx.doi.org/10.1080/1472586X.2011.57188​​8

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