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Automobile television, the post-nuclear family and SpongeBob SquarePants

机译:汽车电视,后核家庭和海绵宝宝

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摘要

An investigation into the introduction of television in private automobiles taking as its objects advertising discourse, television news and Hollywood-produced disaster epics. The representational strategies at work in these visual forms overlap and, taken in relationship to each other, can help illuminate collective anxieties regarding contemporary post-Cold War culture in the United States.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; var addthis_config = {"data_track_addressbar":true,"ui_click":true}; Add to shortlist Link Permalink http://dx.doi.org/10.1080/1472586X.2011.571892
机译:以广告宣传,电视新闻和好莱坞制作的灾难史诗为对象,对在私家车中引入电视进行了调查。这些视觉形式在工作中的代表性策略相互重叠,并且相互联系,可以帮助阐明有关美国当代冷战后文化的集体焦虑。查看全文下载全文相关的var addthis_config = {ui_cobrand:“泰勒&弗朗西斯在线”,services_compact:“ citeulike,netvibes,twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多”,发布号:“ ra-4dff56cd6bb1830b”}; var addthis_config = {“ data_track_addressbar”:true,“ ui_click”:true};添加到候选列表链接永久链接http://dx.doi.org/10.1080/1472586X.2011.571892

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  • 来源
    《Visual Studies》 |2011年第2期|148-153|共6页
  • 作者

    Stephen Groening;

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  • 正文语种 eng
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